Peter creates the most technically challenging sequence of his career, the over the shoulder view of a prehistoric dragonfly flying through a prehistoric jungle - on IMAX.
Peter, Chris and team film a 3D Plankton dome experience by adapting early Nikon digital stills cameras in collaboration with Ben Stassen's nWave Productions.
The first project for Peter and the team that were later to become Oxford Scientific Films saw them filming in Jamaica, for the BBC's first ever colour wildlife transmissions.
Peter Creates psychedelic visuals to represent the hallucinatory effects of Sensory deprivation together with LSD than William Hurt's character experiences in Ken Russel's Altered States.
The Tree of Life is a film of vast ambition and deep humility, attempting no less than to encompass all of existence and view it through the prism of a few infinitesimal lives.