• Stereo 3D

    • IMAX

    • Plankton

    • Macro Photography

    • Fine Art

    • Special Effects

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    Stereo 3D

  •

    IMAX

  •

    Plankton

  •

    Fine Art

  •

    Special Effects

  •

    Macro Photography

No Time to Die

Metro-Goldwyn-Mayer & Eon Productions (2021)

Chris and his team at Vision3 spent two years on the show, designing and supervising Daniel Craig's last Bond film and the first to be released in 3D.

Supergirl

Warner Brothers (1984)

Utilising the phenomena of total internal reflection, Peter creates an 'impossible to film sequence for Supergirl.

Moët et Chandon

Iconoclast

Chris was brought on to collaborate on this iconic film celebrating life's most memorable events, creating abstract visualisations of those moments.

On The Wing

IMAX Corporation

Peter creates the most technically challenging sequence of his career, the over the shoulder view of a prehistoric dragonfly flying through a prehistoric jungle - on IMAX.


Bermuda Plankton 3D

nWave Productions (2015)

Peter, Chris and team film a 3D Plankton dome experience by adapting early Nikon digital stills cameras in collaboration with Ben Stassen's nWave Productions.

Drop in the Ocean

Conservation International / Vision3

Location based VR experience | Created by Adam May, Chris Campkin and Chris Parks. Shared experience using  AI motion tracking system.

Saturn III

ITC Films (1980)

Peter again uses his technique from Supergirl to fly through the rings of Saturn for this Kirk Douglas feature film

Kingdom of Plants

Atlantic Productions & Sky

Peter and Chris film microscopic and carnivorous plants for Sky's 3D production 'Kingdom of Plants'.

Scalextric

Scalextric (1987)

Peter films an over the shoulder view of racing Scaletrix cars - but not in the way he originally intended!

One Strange Rock

National Geographic (2018)

One Strange Rock tells the story of how life survives and thrives on planet Earth, as told by eight astronauts from their unique perspective of being away from Earth for about 1000 days.

Ealing Film Loops

Ealing Film Company

From 1965, Peter and three colleagues spent 5 years travelling the length and breadth of the US capturing subjects for the Ealing Film Loops.

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