• Stereo 3D

    • IMAX

    • Plankton

    • Macro Photography

    • Fine Art

    • Special Effects

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    Stereo 3D

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    IMAX

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    Plankton

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    Fine Art

  •

    Special Effects

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    Macro Photography

No Time to Die

Metro-Goldwyn-Mayer & Eon Productions (2021)

Chris and his team at Vision3 spent two years on the show, designing and supervising Daniel Craig's last Bond film and the first to be released in 3D.

Secret of Life on Earth

Chris Parkons

Peter and Chris again combine forces with Chris Parsons for the second time since Life on Earth for a Korean Expo IMAX film

Lost Worlds

IMAX

For Bailey Silleck's Lost Worlds, The team filmed a flight over Victorian insect collections and maps of Guatemala, insectivorous plants and special effects filming of falling rain drops, with the drop filling frame, as they tracked it descending.

Saturn III

ITC Films (1980)

Peter again uses his technique from Supergirl to fly through the rings of Saturn for this Kirk Douglas feature film

Deep Star VI

Carolco Pictures (1989)

Peter creates the special effect sequences for a Hollywood monster film with underwater sequences filmed both for real and using dry for wet techniques.

Bugs 3D

IMAX Corporation (2003)

Peter and Chris work build the camera rigs and optics to film they ground breaking IMAX film which was pivotal in Peter being awards his Oscar.

Supergirl

Warner Brothers (1984)

Utilising the phenomena of total internal reflection, Peter creates an 'impossible to film sequence for Supergirl.

Kingdom of Plants

Atlantic Productions & Sky

Peter and Chris film microscopic and carnivorous plants for Sky's 3D production 'Kingdom of Plants'.

Life on Earth

BBC (1979)

Peter was responsible for shooting the first five programs of this ground-breaking series, that not only set the bar for Natural History documentary productions but also pushed the limits of documentary film making logistics and organisation.

Ealing Film Loops

Ealing Film Company

From 1965, Peter and three colleagues spent 5 years travelling the length and breadth of the US capturing subjects for the Ealing Film Loops.

The Fountain

Warner Brothers (2006)

As a modern-day scientist, Tommy is struggling with mortality, desperately searching for the medical breakthrough that will save the life of his cancer-stricken wife, Izzi.

Superman I

Warner Brothers (1978)

Peter turned his expertise in filming plankton to create the Red Barrier Effect for Richard Donner's Superman I on his first studio feature film.

Drop in the Ocean

Conservation International / Vision3

Location based VR experience | Created by Adam May, Chris Campkin and Chris Parks. Shared experience using  AI motion tracking system.

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