• Stereo 3D

    • IMAX

    • Plankton

    • Macro Photography

    • Fine Art

    • Special Effects

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    Stereo 3D

  •

    IMAX

  •

    Plankton

  •

    Fine Art

  •

    Special Effects

  •

    Macro Photography

No Time to Die

Metro-Goldwyn-Mayer & Eon Productions (2021)

Chris and his team at Vision3 spent two years on the show, designing and supervising Daniel Craig's last Bond film and the first to be released in 3D.

Deep Star VI

Carolco Pictures (1989)

Peter creates the special effect sequences for a Hollywood monster film with underwater sequences filmed both for real and using dry for wet techniques.

Discovery

Peter shoots some of the most detailed deep sea images in seven weeks aboard the British Deep See Research Vessel Discovery.

Bugs 3D

IMAX Corporation (2003)

Peter and Chris work build the camera rigs and optics to film they ground breaking IMAX film which was pivotal in Peter being awards his Oscar.

Moët et Chandon

Iconoclast

Chris was brought on to collaborate on this iconic film celebrating life's most memorable events, creating abstract visualisations of those moments.

In The Heart of the Sea

Warner Bros (2015)

Stereo 3D | Stereo Supervision by Chris Parks and additional Stereography by Angus Cameron stereo production based out of Vision3.

Ealing Film Loops

Ealing Film Company

From 1965, Peter and three colleagues spent 5 years travelling the length and breadth of the US capturing subjects for the Ealing Film Loops.

Drop in the Ocean

Conservation International / Vision3

Location based VR experience | Created by Adam May, Chris Campkin and Chris Parks. Shared experience using  AI motion tracking system.

Kingdom of Plants

Atlantic Productions & Sky

Peter and Chris film microscopic and carnivorous plants for Sky's 3D production 'Kingdom of Plants'.

Voyage of Time

IMAX Corporation

Voyage of Time is a celebration of the universe, displaying the whole of time, from its start to its final collapse using Chris's fluid effects to create some of the most evocative moments.

Life on Earth

BBC (1979)

Peter was responsible for shooting the first five programs of this ground-breaking series, that not only set the bar for Natural History documentary productions but also pushed the limits of documentary film making logistics and organisation.

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