• Stereo 3D

    • IMAX

    • Plankton

    • Macro Photography

    • Fine Art

    • Special Effects

  • Stereo 3D

  • IMAX

  • Plankton

  • Fine Art

  • Special Effects

  • Macro Photography

No Time to Die

Chris and his team at Vision3 spent two years on the show, designing and supervising Daniel Craig's last Bond film and the first to be released in 3D.

Voyage of Time

Voyage of Time is a celebration of the universe, displaying the whole of time, from its start to its final collapse using Chris's fluid effects to create some of the most evocative moments.

Saturn III

Peter again uses his technique from Supergirl to fly through the rings of Saturn for this Kirk Douglas feature film

Critical Distance

Social AR Experience produced by Vision3 and currently featured at the Smithsonian American Museum of Natural History in Washington.

Lost Worlds

For Bailey Silleck's Lost Worlds, The team filmed a flight over Victorian insect collections and maps of Guatemala, insectivorous plants and special effects filming of falling rain drops, with the drop filling frame, as they tracked it descending.

On The Wing

Peter creates the most technically challenging sequence of his career, the over the shoulder view of a prehistoric dragonfly flying through a prehistoric jungle - on IMAX.


Kingdom of Plants

Peter and Chris film microscopic and carnivorous plants for Sky's 3D production 'Kingdom of Plants'.

Discovery

Peter shoots some of the most detailed deep sea images in seven weeks aboard the British Deep See Research Vessel Discovery.

Supergirl

Utilising the phenomena of total internal reflection, Peter creates an 'impossible to film sequence for Supergirl.

Ealing Film Loops

From 1965, Peter and three colleagues spent 5 years travelling the length and breadth of the US capturing subjects for the Ealing Film Loops.

Tree of Life

The Tree of Life is a film of vast ambition and deep humility, attempting no less than to encompass all of existence and view it through the prism of a few infinitesimal lives.

Deep Star VI

Peter creates the special effect sequences for a Hollywood monster film with underwater sequences filmed both for real and using dry for wet techniques.

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